top of page

I am Elif Ayiter, aka. Alpha Auer, a designer, educator and researcher. I teach full time at Sabanci University, Istanbul. My texts have been published at academic journals such as the Leonardo Electronic Almanac, the Journal of Consciousness Studies, and Technoetic Arts. I have authored several book chapters in edited academic anthologies and presented creative as well as research output at venues including The John Hansard Gallery (UK), The Biennial de Cerveira (PT), ISEA2011, Siggraph, Creativity and Cognition, Computational Aesthetics and Cyberworlds.

 

As Alpha Auer I am the CEO of the SL fashion store alpha.tribe and I have participated in several SL exhibits, such as "SychroniCity," curated by Marc Moana, "Further Along the Path" curated by Bryn Oh, and the massively collaborative project "Moving Islands [Rafts]" curated by Eupalinos Ugajin.

 

Together with MosMax Hax and Selavy Oh, Alpha has co-authored the "LPDT2/3" series of sim wide installations that were based upon Roy Ascott's concept of distributed authorship and La Plissure du Texte. Both LPDT2, as well as LPDT3 have been exhibited at international, curated art exhibitions such as the 2010 multimedia festival at Tomorrow City, Incheon, Korea and the Culture 3 Festival in Patras (GR) in 2014.

 

https://www.elifayiter.com/

 

Personal Website

https://www.elifayiter.com

Contact

Elif Ayiter

ayiter@gmail.com

Phillip Roslan

interlocutor8@icloud.com

The Exhibition:

 

"The Golden Age of the Russian Avant-Garde" was a large-scale exhibition project, created especially for the main exhibition hall of Moscow’s Manege Museum by Peter Greenaway and Saskia Boddeke. The world premiere took place in Moscow in April 2014 and was one of the main projects of the UK-Russia Year of Culture 2014. 

The multimedia installation animated more than 400 masterpieces of the Russian avant-garde. Rare pieces of Russian avant-garde from the collections of the Russian Museum, the Tretyakov Gallery, the Schusev Architectural Museum, the Bakhrushin Theatre Museum and private collections were shown. “Black Square” by Kazimir Malevich – perhaps the most famous Russian avant-garde work – was used as the basis and the central metaphor of the exhibition.

 

The exhibition spread across 5000 square metres, including polyscreen installations, light and sound equipment. Using polyscreens as an artistic method not only allowed for the exploration of new aspects in paintings or sculpture: synchronised images, bound together by a single idea, created new architectonics, bringing another dimension to the exhibition. Combining film and painting, animation and 3D technology helped create a unified atmospheric work, drawing the viewer into the space of Russian avant-garde.

bottom of page